OUR TEAM
Meet our founding, current, and emeritus members

Kirsty Fairclough, Ph.D.
Manchester Metropolitan University,
Manchester, UK
Founding Member
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Kirsty Fairclough is the Interim Deputy Head of the School of Digital Arts (SODA), a Professor in Screen Studies; Research and Knowledge Exchange Lead; and Research Degrees Coordinator at MMU. An academic with over 20 years research, teaching and leadership experience, she has an interdisciplinary research profile encompassing screen studies, celebrity studies, the audio visual mediation of popular music and gender representation in popular culture. Along with Mike Alleyne she is editor of the book Prince and Popular Music.
She is also Chair of Manchester Jazz Festival, a Culture Forum North Steering Group member and a Digital City Festival Advisory Board member.

Kristen Zschomler, M.A.
Music Historian
Minneapolis, MN
Founding Member
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Kristen Zschomler is a Minneapolis-based historian who researches and writes about places associated with Prince, The Minneapolis Sound, and music history in the Twin Cities. Kristen got two Prince places recognized as historically significant for the National Register of Historic Places, helping to preserve his legacy for future generations. Kristen is also the co-owner of SoundAround Music Tours, an innovative self-guided, GPS-led, audio tour app that tells the stories of Minneapolis’s music scene and artists, including Prince.

Crystal Wise, Ph.D.
University of Minnesota
Minneapolis, MN
Current Member
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Crystal N. Wise is an assistant professor in literacy education at the University of Minnesota. Her work broadly focuses on early literacy development as well as historical and contemporary language and literacy practices of African Americans. In her current research on Prince, she explores his lyrics, artistry, and life as liberation and resistance.

Casci Ritchie, Ph.D.
Northumbria University
Paisley, Scotland
Current Member
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Dr Casci Ritchie is a fashion and cultural historian, author and creative educator. She was recently awarded her doctorate for her thesis titled “(Un)dressing the Love Symbol: The Life, Death, and Legacy of Prince’s Wardrobe,” which explores the cultural influences, materiality, labor processes, afterlives, and affective legacies of the musician. She has published her research widely in journals including Critical Studies in Men’s Fashion, Queer Studies in Popular Culture and Journal of Asia-Pacific Popular Culture. Her book On His Royal Badness: The Life and Legacy of Prince’s Fashion was published in 2021 as part of the 404 Ink Inkling's series.

Chris Johnson
Purple Knights Podcast
Le Center, MN
Current Member
Chris Johnson is an independent researcher from Le Center, Minnesota. He is also a podcaster, writer, and part-time tutor. Chris earned his Bachelor of Arts degree in French and English from Augustana University in Sioux Falls, South Dakota. As an undergrad, he was nominated by professors to Pi Delta Phi, The National French Honor Society, and to Sigma Tau Delta, The International English Honor Society. Chris’ research interests lie in popular culture, the history of American music, French literature and culture, and advocacy for the Americans with Disabilities Act. He has been a fan of Minneapolis musician, Prince Rogers Nelson, from the age of three. Chris hosts a podcast, the Purple Knights Podcast, a round-table discussion on Prince and related artists and people; new episodes are posted online every few months.

Mike Alleyne, Ph.D.
Middle Tennessee State University,
Murfreesboro, TN
Founding and Emeritus Member
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Mike Alleyne (Ph.D.) has served as a Full Professor in the Department of Recording
Industry at Middle Tennessee State University (MTSU) and is also a Visiting Professor at
the Pop Akademie in Mannheim, Germany.
He is the co-editor of the award-winning anthology Analyzing Recorded Music
(2023), recognized by the Society for Music Theory (SMT) as an Outstanding Multi-Author
Publication. In 2025, Alleyne will publish Black British Music in America 1967-2000: Atlantic Crossover (Ashgate) and The Routledge Handbook to the Popular Music Cover
Song: Vivid Versions and Musical Subjectivities, co-edited by Lori Burns.